"Hard Times" - A Snow-Covered Dolly Sods, West Virginia

Last month as winter was just beginning to pick up here and there, I made my way to West Virginia to photograph during a day of light snow showers. Surprisingly, the snow, as well as some ice, had begun to accumulate in the higher elevations of Dolly Sods. To get to the top of the plateau requires a drive up a steep dirt forest road, or, in snowier conditions, a hike with snowshoes. I decided to make the attempt to drive up. The snow began to pile up as I gained elevation. A dusting turned into an inch. An inch turned into a few inches. Traction was iffy but doable, as long as I didn't stop. I was committed! Eventually reaching the top, I was greeted with stiff winds and freezing temperatures. It was brutal, but I donned my parka and hopped out of the car. The beauty overcame most of the discomfort, and how beautiful it was. As clouds whipped overhead, sunlight penetrated and darted across the distant mountain ridges. Every rock and crevice was coated in a thick layer of ice. Snow dust whipped and whirled around. Satisfied with my images, I headed back to the car to brew some hot coffee and cook some Ramen.

"Hard Times" - A snow-covered Dolly Sods, West Virginia.

About the Image: In the field, I decided to take multiple exposures of this composition. One image was exposed brighter for a proper exposure of the foreground, and the other a bit darker for the sky. This is standard practice for me when shooting landscapes with a wide dynamic range. Once home, I layer both images together in Photoshop and then mask out the sky to merge the two images together while keeping the best parts of both. This accomplishes the same thing as a graduated neutral density filter, but I like that I have more control over the process and can achieve a seamless transition along the horizon. As I began processing this image, however, I realized that the clouds were moving so quickly that the sunbeam had moved quite a bit in the few seconds between my two exposures. I didn't want the light on the land to be in a different area than the sunbeam stretching into the sky, so I had to figure out another way to process the image. I achieved that by creating a copy of one of the files, and then pushing the exposure of that copy by a stop and a half. Then, bringing both the copy with the brighter exposure, and the original into Photoshop, I was able to blend as I normally would have if I had two exposures. Perhaps a graduated neutral density would have been better in this case with the fast moving clouds, but this method also worked just fine. It's all about having the right tools in your toolbox!

"Autumn Bonsai" - Three Trees on a Foggy Autumn Day, Dolly Sods Wilderness, West Virginia

This autumn I was lucky enough to travel to West Virginia, New Hampshire, and Maine. During that time, I was able to create a lot of images that I'm really excited about. To start things off, here is an image of some beautifully figured trees on top of Dolly Sods during a rainy and cold morning. I've been trying for a decade to get this type of image up on Dolly Sods! It's much harder than it might seem.

"Autumn Bonsai" - Three trees on a foggy autumn day, Dolly Sods Wilderness, West Virginia.

About the image: By putting on my big boy pants and hiking over a mile into the cold bogs of Dolly Sods, where at times, the water was about a foot deep, I found this cluster of trees out in the open. It was just what I needed to create a simple and pleasing composition. The way the tree on the left leans slightly towards the left and the one on the right leans slightly right creates a sense of movement and flow within the composition. Additionally, the bright red blueberry bushes at the bottom of the frame provide a nice anchor. Once I got the composition dialed in, the rest was simple. I used a low ISO of 100 to reduce any noise, an aperture of f/16 to provide enough depth of field to cover front to back, and let the shutter speed settle at 1/2 second, which was fine since there was no wind.

"Skyward Gaze" - Wintry sunset, Bear Rocks, Dolly Sods, West Virginia

I'm going back through the archives this afternoon and found a gem that I never got around to processing. It was early winter when I managed to drive my Toyota Rav4 up a snowy and muddy forest road to the top of Dolly Sods. I knew I might be in for a treat with the sunset, but in West Virginia the light can change very quickly and often ends in a blocked out sun. Nevertheless, I managed to get some truly beautiful light with a wonderful beam rising towards the sky. If you look closely at the potholes in the foreground, you will notice that they are the same ice formations that I photographed for the image "Celadon", seen here: http://www.chriskayler.com/blog/celadon-cracked-blue-ice-atop-dolly-sods-west-virginia ... Thanks for looking, as always!

"Skyward Gaze" - Wintry sunset atop Bear Rocks, Dolly Sods, Monongahela National Forest, West Virginia.

Techs: Canon 7D, Canon 10-22 @ 10mm. 1 second, f/13, ISO 100. Tripod. Blend of two exposures.

"A Shift of Focus" - Cottongrass in a bog, Dolly Sods, West Virginia

Continuing with the subject of my prior post, here is another image that I created during that particular photography session on top of Dolly Sods, West Virginia. Much like my image of the blueberry bush, this image was a macro photograph using the 70-200 f/4 lens. When admiring the expansive bogs that occupy many high altitude plateaus in West Virginia, one cannot help but to notice the tiny puffs of white garnishing the top of a plant known as cottongrass. By using my focus shifting technique, I think that I was able to better show the spirit of the cottongrass.

"A Shift of Focus" - Cottongrass in a bog, Dolly Sods, West Virginia.

echs: Canon 7D, Canon 70-200 f/4 + 1.4x teleconverter @ 280mm. 1 second, f/5.6., ISO 100. Focus shifted during a single exposure.